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Christian Maté Grab – Canon R5 / R6 Cinematic LUTs

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Christian Maté Grab – Canon R5 / R6 Cinematic LUTs
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Name: Christian Maté Grab – Canon R5 / R6 Cinematic LUTs
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Christian Maté Grab – Canon R5 / R6 Cinematic LUTs

Elevate your video projects with Christian Maté Grab's Canon R5 / R6 Cinematic LUTs. Designed to enhance the color grading of your footage, these LUTs offer professional-level adjustments for achieving cinematic looks with your Canon R5 or R6 camera.

Key Features:

  • 8 Cinematic LUTs for C-Log: Transform your footage with 8 high-quality LUTs tailored for Canon’s C-Log profiles. These LUTs provide a range of cinematic looks, enhancing the depth and richness of your visuals.

  • 8 Finishing LUTs for Rec.709: Apply finishing touches to your footage with 8 LUTs specifically designed for Rec.709 color space. These LUTs help refine and perfect your final output, ensuring your video looks polished and professional.

  • 10 Cinematic LUTs for C-Log3: Specifically crafted for monitoring and grading overexposed footage (+1 to +2 stops), these LUTs are ideal for C-Log3 (BT.709). They ensure your shots maintain their cinematic quality even when shot with slight overexposure.

  • Versatile Compatibility: These LUTs are compatible with a range of popular editing software, including Adobe Premiere Pro, Final Cut Pro X, DaVinci Resolve, and Photoshop. They support 3D LUT functionality, making them a flexible choice for various post-production workflows.

  • Optimal Performance: Designed to maximize the potential of 12-bit and 10-bit video, these LUTs also work with compressed codecs. They ensure your footage is transformed into stunning, eye-catching visuals regardless of your shooting settings.

  • Profile Compatibility: Whether you use C-Log, C-Log3, Cinestyle, or custom profiles like James Miller’s Neutral, these LUTs are optimized to work seamlessly with different picture profiles and settings. For best results, overexpose your shots by 1 stop with C-Log and 1 to 2 stops with C-Log3.

  • Note on C-Log3 LUTs: Currently, C-Log3 LUTs are designed for BT.709 color space and are not compatible with Cinema Gamut. This limitation is due to the color space constraints of the Atomos Ninja V+ recording device.

How to Use:

To get the most out of these LUTs, apply them according to your shooting profile and desired look. Experiment with different LUTs to find the best fit for your footage, and adjust exposure settings as needed to optimize results.

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Last update:

Nov 18, 2024 01:28 PM

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Nov 18, 2024 01:27 PM

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