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Elevate your video editing projects with Mononodes – RGB Split Tone DCTLS, an advanced tool designed to bring cinematic color grading to your workflow. This specialized package includes two powerful DCTLs (DaVinci Color Transform Language) for precise RGB channel manipulation, offering a high level of control and flexibility for professional video editors and colorists.
Key Features of Mononodes – RGB Split Tone DCTLS:
Advanced RGB Channel Control: The ‘RGB Split Tone Hi Lo’ and ‘RGB Split Tone Hi Mid Lo’ DCTLs allow for targeted adjustments across the RGB channels of your footage. This precise control helps you achieve a film-like tonality in highlights, shadows, and mid-tones, enhancing the overall visual impact of your videos.
Customizable Curve Adjustments: With a built-in slope function, these tools enable fine-tuned adjustments to the steepness of the tone curve. This feature is ideal for emulating classic film characteristics and creating a polished, cinematic look.
Enhanced Tonal Control: The Hi Mid Lo version introduces an additional pivot slider, which facilitates smooth transitions between different tonal ranges. This added layer of control allows for more nuanced color grading and a more refined aesthetic.
Compatibility with DaVinci Resolve Studio: Mononodes – RGB Split Tone DCTLS is compatible with DaVinci Resolve Studio 17 and 18, making it a versatile choice for users of these versions. It supports major operating systems including MacOS, Windows, and Linux, ensuring broad accessibility for various editing environments.
Optimal Performance in Large Color Spaces: These tools are designed to perform best in large color spaces, enhancing their effectiveness in achieving high-quality, cinematic color grading.
How to Use Mononodes – RGB Split Tone DCTLS:
Download and Install:
Obtain the Mononodes – RGB Split Tone DCTLS from the designated source.
Follow the installation instructions for integrating the DCTLs into DaVinci Resolve Studio.
Apply and Adjust:
Open your project in DaVinci Resolve Studio.
Apply the DCTLs to your footage and adjust the RGB channels and tone curves as needed.
[*]Utilize the pivot slider and slope function for precise color grading adjustments.
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